Harvard-E寫作資訊雲端: January 2019

Monday, January 14, 2019

Novel:confession

Novel: confession
H:20190113W7 study.
I have told you many days ago that today’s Clan Club will go out early in the morning and don’t pay attention to the reminder. It will be halfway through. I will answer the phone and ask <Why no one picks up the phone at home, no one can help get things?> I told <meeting, Chinese food Eat public. >, think about it. I did not return in the afternoon. In the evening, when people approached, they immediately complained, such as <hardship, thoughtfulness, and only care for themselves... > The sound is loud and arrogant, as if the horse's nest is turned on, and the bedding is full. There was no taste at night, and the rice was not eaten. Cook dumpling noodles near 23:00, eat one!
The focus of the conflict, hard to buy back food and Chinese food, no one to help, no one to eat, forget it! No one understands the hard work of being a wife!

Sunday, January 13, 2019

Bridget Jones's Diary

Bridget Jones's Diary
Wiki:
Bridget Jones's Diary is a 2001 romantic comedyfilm directed by Sharon Maguireand written by Richard Curtis, Andrew Davies, and Helen Fielding. It is based on Fielding's 1996 novel of the same name, which is a reinterpretation of Jane Austen's Pride and Prejudice. The adaptation stars Renée Zellwegeras Bridget, Hugh Grant as the caddish Daniel Cleaver, and Colin Firth as Bridget's "true love", Mark Darcy. Production began in August 2000 and ended in November 2000, and took place largely on location in London and the Home Counties. The film premiered on 4 April 2001 in the United Kingdom and was released to theatres on 13 April 2001 simultaneously in the United Kingdom and in the United States.

Quick facts: Directed by, Produced by…

Bridget Jones's Diary

Theatrical release poster

Directed bySharon MaguireProduced by

Tim Bevan

Eric Fellner

Jonathan Cavendish

Screenplay by

Richard Curtis

Andrew Davies

Helen Fielding

Based onBridget Jones's Diary
by Helen FieldingStarring

Renée Zellweger

Hugh Grant

Colin Firth

Jim Broadbent

Gemma Jones

Music byPatrick DoyleCinematographyStuart DryburghEdited byMartin Walsh

Production
companies

Little Bird

StudioCanal

Working Title Films

Distributed by

United International Pictures(United Kingdom)

Miramax Films(United States)

Mars Distribution (France)

Release date

13 April 2001(United Kingdom and United States)

10 October 2001(France)

Running time

97 minutesCountry

United Kingdom

United States

France

LanguageEnglishBudget$25 millionBox office$281.9 million

Bridget Jones's Diary received positive reviews and was a commercial success, grossing over $280 million worldwide. Zellweger was nominated for the Academy Award for Best Actressfor her role in the film. A sequel, Bridget Jones: The Edge of Reason, was released in 2004, and another sequel, Bridget Jones's Baby, was released in 2016.

Plot

Bridget Jones (Renée Zellweger) is 32 years old, single, very accident-prone, and worried about her weight. She works in publicity at a book publishing company in London where her main focus is fantasising about her boss, Daniel Cleaver (Hugh Grant). At a New Year party hosted by her parents, she re-encounters Mark Darcy (Colin Firth), the barrister son of her parents' friends. They had known each other as children. After their initial encounter, Mark thinks that Bridget is a fool and vulgar and Bridget thinks that he is arrogant and rude, and is disgusted by his novelty Christmasjumper. After overhearing Mark grumble to his mother about her attempts to set him up with "a verbally incontinent spinster who smokes like a chimney, drinks like a fish and dresses like her mother", she decides to turn her life around. She starts her own diary, which covers all her attempts to stop smoking, lose weight and find her Mr. Right.
Bridget and Daniel begin to flirt heavily at work, first over email, ahead of an important book launch, at which Bridget bumps into Mark and his glamorous but haughty colleague Natasha (Embeth Davidtz). Bridget leaves with Daniel and they have dinner, despite the fact that he is a notorious womaniser with a questionable personality, of which Bridget is aware. Bridget learns from Daniel that he and Mark have a history and, as a result, hate each other. Daniel informs Bridget of their falling-out, telling her that Mark broke their friendship by sleeping with Daniel's fiancée.
Bridget is invited to a family party, and she takes Daniel along as her "plus one". They spend the day before the party at a country house hotel, where Mark and Natasha are also staying. Daniel, having to spend the day working, is not able to attend and sends Bridget to the party alone. However, his dubious character becomes clearer to Bridget when she returns home from the party to find Daniel with another woman, a colleague of his, Lara (Lisa Barbuscia), and Bridget cuts ties with him soon after. Bridget begins to search for a new job and after landing a job in television, quits her role at the publishing house without giving notice. Daniel makes a desperate attempt to convince Bridget to stay, only for her to retort that she would "rather have a job wiping Saddam Hussein's arse."
Bridget has a long-standing invitation to a friend's dinner party, where she is the only single person and distraught to see Mark and Natasha seated at the table. During the party, Mark privately confesses to Bridget that, despite her faults, he likes her "just as you are." He later helps Bridget to achieve an exclusive TV interview in a landmark legal case.
Bridget begins to develop feelings for Mark, and he comes to her rescue at her birthday dinner party at her flat in Borough, which she is disastrously attempting to cater for herself. Daniel drunkenly visits, temporarily claiming Bridget's attention. Mark leaves the party, but returns to face Daniel. Mark punches Daniel and the two fight. They end up in a nearby restaurant and finally smash through the window, landing on the street. Mark wins the battle and knocks Daniel out. Bridget chides Mark for being mean and he leaves, but after an insensitive appeal by Daniel, she also rejects him emphatically.
In the meantime, Bridget's mother, Pamela (Gemma Jones) temporarily leaves Bridget's father, Colin (Jim Broadbent) and begins an affair with a perma-tanned shopping channel presenter named Julian. After the affair is over and she has reconciled with Colin, she returns to the Jones family home and unintentionally reveals a truth: that Mark and Daniel's falling-out resulted from Daniel (who was Mark's best friend at Cambridge University) seducing Mark's wife, not the other way around, as Daniel had led Bridget to believe.
At the Darcys' ruby wedding anniversary party the same day, Bridget confesses her feelings for Mark, only to find out that he and Natasha are both leaving to accept jobs in New York. Bridget interrupts the toast to their pending engagement with a stuttering but moving speech about England losing one of its finest men. Her words clearly have an effect on Mark, but he still flies to New York, though with obvious misgivings. Bridget's friends rally to repair her broken heart with a surprise trip to Paris, and just as they are about to leave, Mark appears at Bridget's flat.
When they are about to kiss for the first time, Bridget goes to her bedroom to change into sexier underwear. While Bridget is changing, Mark peeks at her diary, in which she has written many insults about him. Bridget returns to find that he has left. Realising that he had read her diary and that she might lose him again, Bridget runs outside after him in the snow with a thin sweater and tiger skin-print underwear. Unable to find him, she is disheartened and is about to return home when Mark appears having bought a new diary for Bridget in order "to make a fresh start." They kiss in the snow-covered streets. Bridget then notes that "nice boys don't kiss like that," to which Mark, contrary to his uptight nature, retorts "Oh yes they fucking do."

Cast

Renée Zellweger as Bridget Jones

Colin Firth as Mark Darcy

Hugh Grant as Daniel Cleaver

Jim Broadbentas Mr. Colin Jones

Gemma Jonesas Mrs. Pamela Jones

Celia Imrie as Una Alconbury

James Faulkner as Uncle Geoffrey

Shirley Henderson as Jude

James Callisas Tom

Sally Phillips as Sharon

Lisa Barbusciaas Lara

Donald Douglas as Admiral Darcy

Charmian Mayas Mrs. Darcy

Paul Brooke as Mr. Fitzherbert

Embeth Davidtzas Natasha Glenville

Patrick Barlowas Julian

Felicity Montagu as Perpetua

Neil Pearson as Richard Finch

Dolly Wells as Woney

Also, Salman Rushdie and Jeffrey Archerhave cameos in the film, which pokes fun at Archer's hack writer reputation. Honor Blackmanalso has a cameo as a party guest. Christopher Kouros also made an appearance as the singing Greek chef in the restaurant fight scene.
Andrew Davies, screenwriter of the 1995 television adaptation of Pride and Prejudice, collaborated on the screenplays for the 2001 and 2004 Bridget Jones films, in which Crispin Bonham-Carter(Mr. Bingley) and Lucy Robinson(Mrs. Hurst) appeared in minor roles. The self-referential in-joke between the projects convinced Colin Firth to accept the role of Mark Darcy, as it gave him an opportunity to ridicule and liberate himself from his Pride and Prejudicecharacter.

Production

Working Title Films acquired the film rights of the novel in 1997 before it became a best-seller.

Casting

Actresses who were considered for the role of Bridget Jones were Helena Bonham Carter,Cate Blanchett,Emily Watson,Rachel Weiszand Cameron Diaz. Toni Collette declined the role because she was on Broadway starring in The Wild Party at the time. Kate Winslet was also considered, but the producers decided she was too young. Zellweger's participation to the film was announced in late May 2000 which concluded a two-year search. Producer Eric Fellner explained that she "brings enormous character and conviction to the part". Maguire said of Zellweger, "I saw in Renee a gift few people have, that she was able to straddle comedy and emotion."Zellweger worked on her accent with Barbara Berkery, who had helped Gwyneth Paltrow for Shakespeare in Love. She also gained 20 pounds for the part. To prepare for the role, Zellweger worked at the producers' request at London book publishers Picador as a trainee in the publicity department.Before the film was released, a considerable amount of controversy surrounded the casting of the American Zellweger as what some saw as a quintessentially British heroine. However, her performance, including her south-eastern English accent, is widely considered to be of a high standard. In July 2000, the leading male roles were given to Colin Firth and Hugh Grant.The director of the film, Sharon Maguire, is one of Fielding's friends, on whom the film's character "Shazza" or "Shazzer" (English shorthand for Sharon) was reportedly based. In the film, Shazza is played by Sally Phillips.

Filming

Principal photographybegan on 1 August 2000 and concluded on 5 November 2000. The crew spent six weeks shooting in and around London.Locations used included Shad Thames where Bridget and Daniel have their first date, the Royal Courts of Justice, St Pancras railway station and Tower Bridge. Scenes were filmed at Stoke Park in Buckinghamshire where Bridget and Daniel ventured to for their mini-break. Wrotham Parkin

ventured to for their mini-break. Wrotham Parkin Hertfordshireserved as the Darcys' home.Stansted Airportdoubled as JFK Airport in New York, while Syon House in Brentford featured as the venue for the anniversary party. The crew filmed for four days at Snowshill in Gloucestershirewhich featured as the home of Bridget Jones's family. After six weeks of shooting on location, the crew moved to Shepperton Studios in Surrey.

Reception

The film holds an 80% approval rating on review aggregation website Rotten Tomatoes with an average score of 6.9/10, based on 158 reviews. The site's critical consensus reads: "Though there was controversy over the choice of casting, Zellweger's Bridget Jones is a sympathetic, likable, funny character, giving this romantic comedy a lot of charm."Another review aggregator, Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream critics, calculated an average score of 66, based on 33 reviews, considered to be "generally favorable reviews". Critic Roger Ebert gave the film 3 1⁄2 out of 4 possible stars.

This section needs expansion. You can help by adding to it.(December 2018)

The film is recognised by American Film Institute in these lists:

2008: AFI's 10 Top 10:

Nominated Romantic Comedy Film

Awards and nominations

Renée Zellwegerwas nominated for the Academy Award for Best Actress, the BAFTA Award for Best Actress in a Leading Role, the Broadcast Film Critics Association Award for Best Actress, the Empire Award for Best Actress, the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, the MTV Movie Award for Best Kiss (shared with Colin Firth), the Satellite Award for Best Actress – Motion Picture Musical or Comedy, the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role, the Teen Choice Award for Choice Chemistry(shared with Hugh Grant), the Teen Choice Award for Choice Liplock (shared with Grant), and the Dallas–Fort Worth Film Critics Association Award for Best Actress. Firth won the European Film AwardsAudience Award for Best Actor and the European Film Award – Jameson People's Choice Award – Best Actor and was nominated for the BAFTA Award for Best Actor in a Supporting Roleand the Satellite Award for Best Actor – Motion Picture Musical or Comedy.
Grant won the Evening Standard British Film Awards' Peter Sellers Award for Comedy and was nominated for the Empire Award for Best British Actor, the Satellite Award for Best Supporting Actor – Motion Picture Musical or Comedy, and the European Film Award – Jameson People's Choice Award – Best Actor.
Richard Curtis, Andrew Davies, and Helen Fielding were nominated for the BAFTA Award for Best Adapted Screenplay.
The film was nominated for the BAFTA Award for Best British Film, the Golden Globe Award for Best Motion Picture – Musical or Comedy, and the Satellite Award for Best Film – Musical or Comedy.

Soundtrack

Main article: Bridget Jones's Diary: Music from the Motion Picture

Bridget Jones's Diary 2: More Music from the Motion Picture and Other V.G. Songs

Quick facts: Released, Genre …

Track listing

"Me and Mrs. Jones" by The Dramatics

"Someone Like You" by Van Morrison

"My Lovin' (You're Never Gonna Get It)" by En Vogue

"My Funny Valentine" by Elvis Costello

"Ain't No Mountain High Enough" by Diana Ross

"Yes" by McAlmont and Butler

"Woman" by Neneh Cherry

"Without You" by Nilsson

"Do What You Gotta Do" by Nina Simone

"Say What You Want" by Texas

"Brass in Pocket" by The Pretenders

"Out of Reach(Acoustic Version)" by Gabrielle

"Will You Love Me Tomorrow" by The Shirelles

"Let's Get It On" by Marvin Gaye

"Waterfalls" by TLC

"Angels" by Robbie Williams

"It Should Have Been Me" by Yvonne Fair

"Ooo Baby Baby" by Smokey Robinson & The Miracles

"I Don't Want to Talk About It" by Dina Carroll

"Passionate Kisses" by Mary Chapin Carpenter

Chart positions

More information: Chart (2001), Peak position…

Home media

The VHS was released in 2001 containing over 35 minutes of bonus material which includes: Deleted Scenes, Exclusive Interviews, Bridget's Guide to "Getting It Right". There was also a VHS of "The Making of Bridget Jones". In 2001, the film was released on DVD containing brand new bonus material and in 2011 a Blu-ray version of the film was released. A Collective Edition of the film was released in 2004 with new bonus material including; The Bridget Phenomenon, The Young And The Mateless, Portrait Of The Makeup Artist, Domestic and International TV Spots, Bridget Jones: The Edge Of Reason Theatrical Trailer, Bridget Jones's Diary Reviews and A Guide to Bridget Britishism.

Connection to Pride and Prejudice

Fielding has stated in many interviews that her novel was based upon both Jane Austen's work Pride and Prejudice and its popular 1995 BBC adaptation. This was also reflected in the decision to cast Colin Firth as Darcy, since he played the 'real' Mr. Darcy in the BBC adaptation of Pride and Prejudice. This is not the film's only connection to that serial – the screenplay was co-written by Andrew Davies, who had written the adaptation of Austen's novel for the BBC.

Musical adaptation

Main article: Bridget Jones' Diary (musical)

The film version is currently being adapted into a musical, set to hit London's West End, although no date has been set. British musician Lily Allen has written the score and lyrics, and Stephen Daldry, best known for his Tony award-winning work on the West End and Broadway productions of Billy Elliot, will be directing, joined by his co-worker Peter Darling, who will serve as choreographer.
An official cast for the production has not yet been announced, but workshops for the show have already begun with television actress and current star of Legally Blonde, Sheridan Smith, in the title role.

Real Women Have Curves

Real Women Have Curves
H:中文譯為窈窕非夢事，女孩自信的自我表現。
Wiki:
Real Women Have Curves is a 2002 American comedy-dramafilm directed by Patricia Cardoso, based on the play of the same name by Josefina López, who co-authored the screenplay for the film with George LaVoo. The film stars America Ferrera as protagonist Ana García. It gained fame after winning the Audience Award for best dramatic film, and the Special Jury Prize for acting in the 2002 Sundance Film Festival. The film went on to receive the Youth Jury Award at the San Sebastian International Film Festival, the Humanitas Prize, the Imagen Award at the Imagen Foundation Awards, and Special Recognition by the National Board of Review. According to the Sundance Institute, the film gives a voice to young women who are struggling to love themselves and find respect in the United States.

For the play, see Real Women Have Curves (play).

Quick facts: Directed by, Produced by…

Real Women Have Curves

Theatrical release poster

Directed byPatricia CardosoProduced byEffie BrownScreenplay by

George LaVoo

Josefina López

Based onReal Women Have Curves
by Josefina LópezStarring

America Ferrera

Lupe Ontiveros

George Lopez

Music byHeitor PereiraCinematographyJim DenaultEdited bySloane Klevin

Production
company

HBO Films

Newmarket Films

LaVoo Productions

Distributed byNewmarket Films

Release date

January 13, 2002(Sundance Film Festival)

October 18, 2002(United States; limited)

Running time

93 minutesCountryUnited StatesLanguage

English

Spanish

Box office$7.7 million (worldwide)

Plot

In East Los Angeles, California, 18-year-old Ana García (America Ferrera), a student at a high school in Beverly Hills, struggles to balance her dream of going to college with family duty and a tough economic situation. While Ana's sister Estela (Ingrid Oliu) and their father Raúl (Jorge Cervera, Jr.) approve of her ambitions, Ana's mother Carmen (Lupe Ontiveros) resists the idea in favor of Ana helping Estela oversee the small, rundown family-owned textile factory, out of her desire to keep her family together and resolve their precarious finances. On her last day of school, Ana's teacher, Mr. Guzman (George Lopez), asks her to consider applying to colleges. Ana explains that her family won't be able to afford it, and remarks that "it's too late anyway". Mr. Guzman disagrees and tells her that he knows the dean of admissions at Columbia University and could possibly have her application looked at, even if it is past the deadline. Ana tells him she will think about it.
That night, Ana's family throws her a party to celebrate her graduation. As the night continues, however, Carmen nags Ana about not eating too much cake because of her weight, and emphasizes the need for Ana to get married and have children. Ana's grandfather and father try to defuse the situation, until Carmen begins to discuss the family factory and suggest Ana start work there. Estela protests, saying there isn't enough to pay Ana, but fails to sway Carmen. Ana interjects that she wants to do something else, but her other job opportunities are limited. At that moment, her high school teacher arrives at the house, and asks to talk to Ana's parents about the possibilities of Ana going to college. Ana's mother is resolute, while Raúl seems open to the idea and assures Ana's teacher that he will think about it, after he initially hesitates to say anything in order to spare Carmen's feelings. Ana reluctantly agrees to work at the factory in the meantime.
After some time, Ana tries to get Estela to convince the executive in charge of her clothing line to grant her an advance so she can keep the factory running. When the executive refuses, Ana convinces her father to give Estela a small loan after seeing how hard Estela works to produce clothing she is proud of. Meanwhile, Ana works with Mr. Guzman at night to produce an essay for her application to Columbia in New York, which she successfully submits, while also developing a secret relationship with Jimmy, a cynical white fellow graduate. Carmen confronts Ana about her sexual activities. Ana insists that she as a person is more than what is between her legs, and begins to call her mother out on her emotionally abusivetendencies.
Later, at the factory, all of the women working there except Carmen grow exhausted of the heat and Carmen's critiques of their bodies and strip down to their underwear, comparing body shapes, stretch marks, and cellulite, inspiring confidence in one another's bodies. Carmen leaves the factory in a huff over her family and co-workers' lack of shame as Ana declares that they are women and this is who they are.
Near the end of summer, Mr. Guzman comes by the house to inform Ana and her family that Ana has been accepted to Columbia with a scholarship opportunity, though it would mean moving across the country from Los Angeles to New York City. At first, Carmen convinces Ana and the rest of the family that her place is in East Los Angeles, but eventually Ana decides that, having fully ensured Raúl's support, she needs to break free from her domineering mother. At the end of the film, Ana is dropped off at the airport by her father and grandfather while Carmen refuses to leave her room and say goodbye to Ana. The final scenes show Ana striding confidently through the streets of New York.

Cast

America Ferrera as Ana García

Lupe Ontiverosas Carmen García

Jorge Cervera Jr. as Raúl García

Ingrid Oliu as Estela García

George Lopezas Mr. Guzman

Brian Sites as Jimmy

Soledad St. Hilaire as Pancha

Lourdes Pérezas Rosali

Josefina Lopez as Veronica

Reception

Popular media

Real Women Have Curves received positive reviews for its theme (a positive body image), its realistic portrayal of a Mexican-American family and its acting. The film received an 83% "fresh" rating on Rotten Tomatoes and a Metacritic score of 71/100.Elivis Mitchell of The New York Times described Real Women Have Curves as a "culture clash comic melodrama" that is, "effervescent and satisfying, a crowd pleaser that does not condescend."Jean Oppenheimer of The Dallas Observer wrote "One of the strengths of Real Women Have Curves is that it isn't about just one thing; it is about many things. A coming-of-age drama centered on a mother-daughter conflict, it also explores the immigrant experience; the battle to accept oneself, imperfections and all; and the importance of personal dignity." Claudia Puig of USA Today noted "What will undoubtedly resound powerfully with audiences of Real Women Have Curves, particularly women, is the film's message that there is beauty in all shapes and sizes." One of the few negative reviews the film received was written by Peter Bradshaw of The Guardian, he gave the film a two star rating.

Academia

Real Women Have Curves was received with critical acclaim in the academic sphere for its poignant commentary on challenges facing Latina women today. In a study examining beauty standards for Latinas, three researchers interviewed Mexican-American adolescent girls living in Central California to examine "the nature of appearance culture as a source of girls' perceived beauty standards." The study was published in the July 2015 SAGE Journal of Adolescent Research. Researchers found that "the girls pointed to the media as a major source of beauty ideals. The girls were quite critical of European American girls and women who are attracted to unnaturally thin body shapes depicted in mainstream media. Instead, they [the girls interviewed] admire thick, curvaceous bodies common among women of color in pop culture and Spanish-language media."
America Ferrera became a pop icon for many young women, especially Latinas, because she takes on roles where body image issues are prevalent parts of the film (see Real Women Have Curves, Ugly Betty, How the Garcia Girls Spent their Summer, and The Sisterhood of the Traveling Pants). In the HBO Documentary, The Latino List: Volume 1, Ferrera speaks about her personal experiences growing up in the San Fernando Valley. Ferrera says she remembers watching popular 90's television shows, "but there were moments that would remind me that I was different from everyone else." Ferrera remembers being bullied for having darker skin or being different than the other Spanish speaking girls but she says, "I didn't feel different until someone made an effort to point it out to me."Ferrera went on to say, "when I think about anyone who's marginalized, or made fun of, or dismissed, or hated with some sort of passion; I mean I just see myself, I just think of myself," but she concludes, "there's no person or award, validation, that is ever going to make you more worthy than you already are. The times when its been easiest to love myself is when I've put myself in positions to serve others."
In 2013 Juanita Heredia of Northern Arizona Universitypublished an article in the journal Mester, 42(1) that discussed the representation of Latinas in Real Women Have Curves and Maria Full of Grace.The journal article states, "the Latina protagonists in both visual narratives represent an autonomous voice resisting the institutionalization of patriarchy, be it in the family structure or the labor force as well as the containment of sexual expression, as limited choices for women within the space of the city." The article criticizes Hollywood for not contributing "representations of autonomous and powerful Latina and Latin American women figures in mainstream cinema."

Awards

Won

2002 Humanitas Prize, Sundance Film Category, George LaVoo and Josefina Lopez

2002 National Board of Review, Special Recognition for excellence in film making

2003 Imagen Awards, Best Supporting Actress - Film, Lupe Ontiveros

2003 Independent Spirit Award, Producers Award, Effie Brown

2002 San Sebastián International Film Festival, Youth Jury Award, Patricia Cardoso

2002 Sundance Film Festival, Audience Award, Patricia Cardoso

2002 Sundance Film Festival, Special Jury Prize (for acting), America Ferrera and Lupe Ontiveros.

Nominated

2002 Sundance Film Festival, Grand Jury Prize, Patricia Cardoso

2003 Independent Spirit Award, Best Debut Performance, America Ferrera

2003 Young Artist Award, Best Performance in a Feature Film - Leading Young Actress, America Ferrera

Monday, January 07, 2019

ODF

ODF
H:2019附件要求ODF檔，大家比較陌生。
維基百科介紹:
開放文檔格式（英語：OpenDocument Format，簡稱ODF），全稱用於辦公室應用程式的開放文檔格式（Open Document Format for Office Applications），是一種規範，基於XML的檔案格式，因應試算表、圖表、簡報和文書處理文檔等電子文檔而設定。它的規格原本由昇陽電腦開發，標準則由OASIS Open Document Format for Office Applications（OpenDocument）TC（又稱為OASIS ODF TC）[2]所開發。存在一個自由與開放的OASIS標準，以ISO/IEC國際標準發布──《ISO/IEC 26300:2015 Open Document Format for Office Applications（OpenDocument）v1.2》[3][4][5]。
ODF

Harvard-E寫作資訊雲端

Monday, January 14, 2019

Novel:confession

Sunday, January 13, 2019

Bridget Jones's Diary

Real Women Have Curves

Monday, January 07, 2019

ODF

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