Sunday, September 22, 2019

Instagram

Instagram
維基百科介紹:
Instagram 圖示

原作者凱文·斯特羅姆、麥克·克瑞格(英語:Mike Krieger)
(Burbn公司)開發者Facebook Inc.初始版本2010年10月6日,​8年前穩定版本
Android
91.0.0.18.118(2019年4月29日,​4個月前)[±][1]
iOS
90.0(2019年4月24日,​4個月前)[±][2]
Windows 10
30.1569.12133.0(2018年4月14日,​16個月前)[±][3]
Windows 10 Mobile
10.1096.22713.0(2017年9月14日,​2年前)[±][4]作業系統Android 2.2或更高版本
Windows 10 Mobile或更高版本
iOS 5.0或更高版本[5]檔案大小14MB語言25種不同語言 [6]類型攝影及視訊分享許可協定免費軟體網站instagram.com

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Instagram是Facebook公司旗下一款免費提供線上圖片及視訊分享的社交應用軟體,於2010年10月發布。它可以讓用戶用智慧型手機拍下相片後再將不同的濾鏡效果添加到相片上,然後分享到Facebook、Twitter、Tumblr及Flickr等社群網路服務、或是Instagram的伺服器上[7]。在英語國家簡稱insta[8],台灣與香港通常簡稱IG,在中國大陸簡稱ins。
Instagram目前尚無官方的中文譯名,較廣泛的稱呼為即時電報[9][10][11][12][13][14][15],因為Instagram的名稱取自「即時」(英語:instant)與「電報」(英語:telegram)兩個單詞的結合。創始人聲稱靈感來自於即時成像相機,且認為人與人之間的相片分享「就像用電線傳遞電報訊息」,因而將兩個單詞結合成軟體名稱[16]。
Instagram的一個顯著特點是用它拍攝的相片為正方形,類似寶麗來即時成像相機等復古相機拍攝的效果,而通常所使用的行動裝置的相機的縱橫比為4:3和16:9。2015年,在其7.5版本中,這一尺寸限制被取消[17]。

歷史

Instagram的正方形效果(右)與通常行動裝置16:9縱橫比效果(左)對比

Instagram由凱文·斯特羅姆與麥克·克瑞格(英語:Mike Krieger)建立,並於2010年10月首次推出。該服務迅速得到普及,截止2014年12月已擁有超過3億註冊用戶(每月活躍用戶數約9,000萬)[18]。Instagram對應不同行動裝置平台可以分別透過App Store和Google Play商店下載[19]。軟體一開始只可用於iPhone,iPad和iPod Touch等裝置。2012年4月,軟體加入了對Android 2.2 Froyo系統手機的支援。2013年1月,Instagram表示沒有計劃將應用推廣至黑莓手機OS 7.0,但有可能推出適用於黑莓Z10和Q10的版本[20]。Instagram起初並沒有計劃提供Windows Phone技術支援[21],然而2013年10月22日,凱文·斯特羅姆宣布推出Windows Phone版本的Instagram[22]。
2012年4月9日,社群網站服務巨頭Facebook宣布以10億美元的價格收購Instagram[23]。交易以3億美元現金加2,300萬股Facebook股票的方式進行[24]。
軟體起初僅有行動裝置用戶端而並未推出網頁版。2012年11月,Instagram推出與Facebook風格類似的網頁版本,但僅能檢視個人首頁及更新個人資料,不能搜尋及上傳相片[25]。2013年2月,Instagram推出功能完整的網站,加入了行動裝置用戶端除相片上傳以外的完整功能[26]。
軟體設計之初僅支援圖片分享,然而2013年6月,軟體加入了短影片分享的功能,允許用戶錄製並分享長度不超過15秒的短片[27]。此舉被一些人認為是Facebook意圖與Twitter的短片分享應用Vine競爭的行為[28][29][30][31]。
2010年12月,Instagram已有100萬註冊用戶[32]。2011年6月,Instagram宣布用戶人數達500萬人[33]。同年9月,用戶數達1,000萬人[34]。2012年4月,Instagram上的帳戶數超過了3,000萬個[35]。
2011年7月,Instagram宣布其用戶上傳至伺服器的相片數已超過1億張。同年8月,這個數字上升至1.5億[36][37]。到2012年5月,平均每秒就有58張相片上傳且新增一個用戶。總相片數已超過10億[38]。
2013年2月27日,Instagram在軟體發行兩年半時宣布活躍用戶數超過1億[39]。同年9月9日,活躍用戶數超過1.5億[40]。
2014年9月,Instagram在中國大陸被封鎖,此前它是中國大陸境內為數不多的仍可以使用的境外網際網路溝通服務[41]。
2016年3月,Instagram在Windows 10行動裝置平台中釋出正式版本的官方應用程式[42]。
2016年8月,Instagram推出限時動態功能,用戶可上傳相片,並在24小時後該圖片會自動消失。
2016年11月,Instagram宣布於同年12月取消相片地圖的功能。同月並推出直播功能,但僅限通過認證的公眾人物可以使用該功能。
2018年6月20日,月活躍用戶超過10億,是臉書旗下第四個續Facebook、WhatsApp及Messenger超過10億月活躍用戶的子公司,其中臉書於2017年6月已超越20億月活躍用戶。[43]
2018年9月24日,Instagram聯合創始人凱文·斯特羅姆(Kevin Systrom)和麥可·克里格(Mike Krieger)宣布辭職,並將在未來幾週內離開公司,同時任命產品副總裁亞當·莫塞里(Adam Mosseri)為Instagram新的負責人。[44]
2018年10月24日,派傑(英語:Piper Jaffray)投資公司最新調查顯示,美國85%青少年每月登入一次Instagram,首度超越Snapchat的84%;另外臉書則從2016年的60%降至28%,在美國最年輕的網路使用者中,已淪為最不受歡迎的媒體社群。[45]

功能

用戶可以在Instagram上分享相片及視訊,也可關注其他用戶的分享。用戶在將自己的帳號與其他社群網路帳號關聯後亦可分享至其他應用[46]。截至2013年10月,Instagram可關聯的社群網站包括Facebook、 Twitter、 Tumblr、 Flickr、 Foursquare、 Hipstamatic及Mixi(僅iOS日語用戶)、 新浪微博(僅iOS中文用戶)[47]。

濾鏡效果

Amaro

Mayfair

Rise

Valencia

Hudson

X-Pro II

Sierra

Willow

Lo-fi

Earlybird

Sutro

Toaster

Brannan

Inkwell

Walden

Hefe

Nashville

1977

Kelvin

Instagram的16種濾鏡效果樣例

已刪除濾鏡

Apollo(2.0版本刪除)

Gotham(2.0版本刪除)

Lily(1.0.6版本刪除)

Poprocket(1.0.6版本刪除)

批評及爭議

此章節需要擴充。

使用條款爭議

2012年12月17日,Instagram更改其用戶使用條款,引發用戶的廣泛爭議。引起爭議的是條款中的一條稱:「用戶須同意商家可以付費從Instagram取得你的用戶名稱、個人喜好、相片(含相關資料)及/或你的活動而無需給付任何補償,這些內容與付費推廣內容相關。」而且並沒有選項供用戶在不刪除帳戶的情況下不同意更改後的使用條款[48]。
此舉受到了包括隱私倡導者以及消費者的嚴厲批評。《國家地理》雜誌官方帳號聲明暫停更新以抵制該新條款。「匿名者」組織也在Twitter號召Instagram用戶刪除帳號[49]。一天後,Instagram道歉,並刪除使用條款中有爭議的內容[50]。Instagram的聯合創始人Kevin Systrom回應了爭議,稱:

我們更新使用條款的目的是傳達這樣一個資訊:我們希望嘗試更適合Instagram的創新廣告機制。然而卻被很多人誤解以為是我們要出售你們的相片而不給任何補償。這是大家的誤解。條款措辭不夠明確是我們的錯誤。在此澄清:我們沒有意圖要出售你們的相片。我們正在更改使用條款上的措辭以明確表達我們的想法。[51]

內容審查和刪貼

Instagram曾多次被指審查用戶發表的內容。2013年10月,Instagram曾刪除加拿大攝影師佩特拉·柯林斯(Petra Collins)的帳戶,原因是她上傳的相片中可以看到比基尼泳衣下露出的陰毛[52]。2015年1月,Instagram以同樣的理由刪除一家澳大利亞攝影工作室的帳戶。Instagram在用戶協定中寫明禁止裸體和色情內容,但其標準難以判斷。此前,美國男歌手賈斯汀·比伯發表的類似露出陰毛的相片則未被刪除。引起爭議的相片主角指出,Instagram對男性露出陰毛相片的審查力度遠小於女性的露陰毛照。部分網友在Instagram上亦發起「#解放陰毛」(#FreeTheBush)的話題。Instagram發言人隨後坦承對於「裸露」的判定並不能確保準確,之後恢復該攝影室的帳戶[53]。Instagram對男女裸露相片的審查力度不一也引發部分網友不滿。「解放乳頭」(#FreeTheNipple)運動就曾指責Instagram對女性露乳照的審查。該運動認為Instagram只刪除女性露出乳頭的相片,而保留男性的類似相片是雙重標準。對此Instagram解釋稱這一標準是因蘋果公司的審查標準嚴格所致,稱雖然「支援藝術自由」,但為了能讓17歲以下的用戶正常使用,不得不做出如此的內容審查[54]。Instagram還曾多次刪除女性藝術家露皮·考爾(Rupi Kaur)露出經血的藝術相片,稱相片違反用戶協定,遭到指責。考爾認為相片中自己衣著完整得體,僅露出一點經血就被刪除,是父權社會中厭女症的表現。隨後Instagram表示相片是被「誤刪」,向考爾致歉並恢復相片[55]。
Instagram還對一些話題的搜尋做出封鎖處理。用戶搜尋類似「#裸體」(#nude)、「#大麻」(#weed)、「#性」(#sex)、「#色情片」(#porn)等話題時,Instagram會顯示「無結果」。「#iPhone」、「#Instagram」等話題使用量極大且內容寬泛,Instagram為防止有人利用此發布垃圾廣告,也封鎖類似話題的搜尋。但Instagram封鎖話題的標準不一,引發爭議。例如「#內褲」(#underwear)話題被封鎖,但類似的「#白色三角褲」(#tightywhities)卻被允許;「#奶子」(#boobs)被封鎖,但另一拼寫方式的「#boobz」則被允許。Instagram還封鎖帶有種族歧視色彩的話題,但標準不一也引發批評。例如「nigger」(針對黑人的歧視性詞語)、「kike」(針對猶太人的歧視性詞語)、「spic」(針對拉美裔/西班牙裔的歧視性詞語)等詞被封鎖,而針對亞裔的歧視性詞彙「chink」雖一度被禁,但之後又取消封鎖,被指審查標準不一,此後Instagram又將這一詞語封鎖[56]。Instagram一度對「#瘦人勵志」(#thinspiration)等可能引起用戶自殘或進食障礙的話題也封鎖搜尋,但之後取消封鎖,並在返回搜尋結果的同時時給出全國飲食障礙協會(National Eating Disorders Association)的連結[57]。

未經明確審查封鎖帳戶

Instagram常未經明確審查,僅憑檢舉便刪除或封鎖用戶。知名YouTuber阿滴英文、小A辣、蔡阿嘎皆遭受波及。[來源請求]

使用平台

Instagram因以智慧型手機平台起家,對於桌上型電腦支援度較低,以致絕大部分作業都必須透過手機或平板電腦客戶端處理。電腦網頁版僅能瀏覽相片和視訊、讚好(給予「心心」)和留言。

在安卓程式上執行Instagram

獲得獎項

此章節需要擴充。
2011年1月,Instagram獲得2010年度「TechCrunch Cunchies獎」「最佳手機應用」亞軍[58]。
2011年5月,Instagram執行長凱文·斯特羅姆獲得《Fast Company(英語:Fast Company (magazine))》雜誌評選的「2011年商界最具創新人物」第66名[59]。
2011年6月,《Inc.(英語:Inc. (magazine))》雜誌將兩位聯合創始人聯合創始人斯特羅姆與克瑞格評入「30位30歲以下的青年才俊」名單中[60]。
2011年9月,Instagram獲得《舊金山周刊》評選的「最佳本地應用」[61]。2011年9月,《7x7(英語:7x7 (magazine))》雜誌的「2011年最熱門20人」專題以斯特羅姆與克瑞格作為封面[62]。
2011年12月,蘋果公司App Store將Instagram評選為「2011年度應用」[63]。
2013年,Instagram被《時代》雜誌評選為「2013年度50個最佳Android應用」之一[64]。

封鎖

此章節需要
2013年5月10日起,許多中國大陸用戶在社群網站中抱怨,連接中國移動的網路通道後Instagram應用「無法重新整理動態」,官方網站無法存取,但用戶使用中國其它的運營商網路(比如中國聯通、中國電信)或通過翻牆則可以正常使用,疑似Instagram被中國移動單方面封鎖(參見中華人民共和國被封鎖網站列表)。
2014年7月7日,有媒體報導稱Instagram從中國大陸絕大多數第三方Android應用程式商店中下架,下架原因尚不明確,但用戶仍然可以在論壇或其他軟體下載網站上較為容易地下載到Instagram;而iOS的App Store中仍可以正常下載[65]。
2014年9月28日起,Instagram在中國遭到全面封鎖,原因疑是香港雨傘革命的圖片在Instagram上流傳。目前使用https連接仍然無法正常使用[66][67][68]。
2013年12月30日,Instagram在伊朗遭到封鎖,但封鎖僅持續了12小時即解封。伊朗官員否認有任何不當行為,其國營電信公司也稱並未封鎖此應用[69]。
2014年5月23日,伊朗以「隱私問題」為由,宣布封鎖Instagram[70][71]。
2017年2月26日,Instagram行動應用程式在中國大陸部分地區疑似被解封,大量用戶反映可以連接[來源請求]。
目前,中國大陸Instagram行動應用程式無法顯示圖片,網站則完全不可存取。

參見

Facebook

Flickr

Vine

參考資料

More information: Tap to expand …

外部連結

instagram官方網站

Instagram的Facebook專頁

Instagram的Twitter帳戶

Instagram的Instagram帳戶

Wednesday, September 18, 2019

李麗珍

李麗珍
About Loletta Lee

Who is she dating right now?

According to our records, Loletta Lee is possibly single.

Relationships

We have no records of past relationships for Loletta Lee.

About

Loletta Lee is a 53 year old Chinese Actress. Born Rachel Lee on 8th January, 1966 in Hong Kong, she is famous for Golden Horse Award in 1999 for Best Actress. Her zodiac sign is Capricorn.
Loletta Lee is a member of the following lists: 1965 births1966 births and Cantonese people.

Contribute

Help us build our profile of Loletta Lee! Login to add information, pictures and relationships, join in discussions and get credit for your contributions.

Details

First NameLolettaLast NameLeeFull Name at BirthRachel LeeAlternative NameRachel LeeAge53 yearsBirthday8th January, 1966BirthplaceHong KongHeight5' 4" (163 cm)BuildSlimHair ColorBlackZodiac SignCapricornEthnicityAsianNationalityChineseOccupation TextActressOccupationActressClaim to FameGolden Horse Award in 1999 for Best ActressYear(s) Active1983 - present
Rachel Lee (Chinese: 李麗珍, earlier known as Loletta Lee) is a Hong Kong actress born on 8 January 1966.

Filmography34

FilmYearCharacterHong he2009A ShuiChinese Paladin2005Divine Lady (2005)Kap sze moon yat goh gei kooi2002Qi hao cha guan2001OscarOrdinary Heroes1999Sow (as Rachel Lee)Si ge 32A he yi ge xiang jiao shao nian1996MinnieYu pu tuan er zhi Yu nu xin jing1996YiauStreet Gun1996FBI Agegnt #6 (as Rachel Lee)Wong Kok cha 'fit' yan1996Cart Noodle, RestaurantMat to sing suk si1993JaneLegend of the Liquid Sword1993Batman's Lover (as Lai-chun Lee)Lang xin ru tie1993Annie CheungRen sheng de yi shuai jin huan1993Li Sin-YiAll's Well Ends Well1992Foon's GirlLong teng si hai1992LolettaYin le jiang shi1992Chu-ChuHao men ye yan1991Girl at TableMa lu ying xiong1991Saga of the Phoenix1990Tan's SisterGong chang fei long1990Pearl (as Lee Lai-Chen)Haunted Jail House1990Jane, the good ghostHappy Ghost IV1990Cameo appearanceXiao xiao xiao jing cha1989Mr. Vampire Saga1988Ching-ChingMeng gui fo tiao qiang1988JaneZui hou sheng li1987MimiFu gui bi ren1987Wai-DaiGwai ma haau yuen1986Jane LiLian ai ji jie1986IcyZui ai1986LinaKai xin le yuan1985JaneShang Hai zhi yen1984Chicken FungKai xin gui1984JulietTing bu liao de ai1984DiDi

Sunday, September 01, 2019

Geostorm

Geostorm 
Wiki:
Geostorm is a 2017 American science fictiondisaster filmdirected, co-written, and co-produced by Dean Devlin in his feature film directorial debut. The film starsGerard Butler, Jim Sturgess, Ed Harris, Abbie Cornish, Richard Schiff, Alexandra Maria Lara, Robert Sheehan, Daniel Wu, Eugenio Derbez, and Andy García. The plot follows a satellite designer who tries to save the world from a storm of epic proportions caused by malfunctioning climate-controlling satellites.

This article is about the 2017 film. For other uses, see Geo storm (disambiguation).

Quick facts: Directed by, Produced by…

Geostorm

Theatrical release poster

Directed byDean DevlinProduced by

David Ellison

Dean Devlin

Dana Goldberg

Written by

Dean Devlin

Paul Guyot

Starring

Gerard Butler

Jim Sturgess

Abbie Cornish

Alexandra Maria Lara

Daniel Wu

Eugenio Derbez

Amr Waked

Adepero Oduye

Robert Sheehan

Richard Schiff

Ed Harris

Andy García

Music byLorne BalfeCinematographyRoberto SchaeferEdited by

Ron Rosen

Chris Lebenzon

John Refoua

Production
company

Warner Bros. Pictures

Skydance Media

Electric Entertainment

RatPac-Dune Entertainment

Distributed byWarner Bros. Pictures

Release date

October 20, 2017

Running time

109 minutesCountryUnited StatesLanguageEnglishBudget$120 millionBox office$221.6 million

Close

Principal photographybegan on October 20, 2014, in New Orleans, Louisiana. After poor test screenings, re-shoots took place in December 2016 under executive producer Jerry Bruckheimer, writer Laeta Kalogridis and new director Danny Cannon.The film is the first co-production between Skydance Mediaand Warner Bros.The film was released by Warner Bros. in the United States on October 20, 2017, in 2D, Real D 3D and IMAX 3D. Despite grossing $221 million worldwide the film was labeled a box office bomb given its $120 million budget, losing the studio $74 million, and received negative reviews, with criticism focused on the "uninspiring" story and "lackluster" visual effects.

Plot

In 2019, following many catastrophic natural disasters, an international coalition commissions a system of climate-controllingsatellites called "Dutch Boy", named after the story of Hans Brinker. After Dutch Boy neutralizes a typhoon in Shanghai, a Senate sub-committee reprimands chief architect Jake Lawson, because he brought "Dutch Boy" online (without authorization) and replaces him with his brother Max, who works under Secretary of State Leonard Dekkom.
Three years later, a UN team stationed in the Registan Desertcomes across a frozen village. Makmoud Habib, an Indian engineer working on the International Climate Space Station (ICSS), copies data from the Afghanistansatellite onto a hard drive before being unexpectedly ejected into space. After convincing President Andrew Palma to conduct an investigation, Max persuades Jake to go to the ICSS to investigate. Another satellite increases temperatures in Hong Kong, causing gas explosions that nearly kill Max's college friend Cheng Long, the head of Dutch Boy's Hong Kong department.
Jake arrives at ICSS to examine the malfunctioning satellites (which are damaged afterwards and their data erased) with station commander Ute Fassbinder and her crew. They recover the hard drive, but hide it from the crew, suspecting a traitor, and examine the data, discovering that a virus has wiped out everyone's login access to the satellite and is causing the malfunctions. Suspecting Palma is using Dutch Boy as a weapon, Jake tells Max he needs to reboot the system to eliminate the virus which requires the kill code held by Palma. The ICSS staff neutralize malfunctioning satellites by deliberately knocking them offline via collisions with replacement satellites.
Back on Earth, Cheng discovers he and Max have lost login access and warns Max of a global cataclysm known as a "Geostorm" if the malfunction continues. Cheng is pursued to Washington, D.C.by a team of rogue government agents, who ultimately cause his death in a traffic incident, but not before he says "Zeus". Discovering Project Zeus simulates extreme weather patterns to create a Geostorm, Max enlists his girlfriend, Secret Service agent Sarah Wilson, to acquire the code.
During the Democratic National Convention (DNC) at Orlando's Moxley Arena, Max discovers Orlando is next to be targeted after a massive hailstorm hits Tokyo and part of Rio de Janeirofreezes over.
The ICSS team loses control of all operations as the virus initiates the self-destruct program. As more disasters strike around the world (including tornadoes in Mumbai, a heatwave in Moscow and a megatsunami in Dubai), Jake realizes Duncan is the traitor. In the ensuing confrontation, Duncan accidentally ejects himself into space while Jake escapes. As the crew evacuates, Jake stays behind to ensure the reboot completes.
Max requests Dekkom's help, but Dekkom instead tries unsuccessfully to kill Max, unveiling himself as the saboteur; Max immediately informs Sarah. The two kidnap Palma to protect him from Dekkom's agents and secure the kill code, which is Palma's biometrics. As they escape from the DNC stadium before a lightning storm destroys it, Max reveals their activities and Dekkom's treachery to Palma. After outsmarting Dekkom's mercenaries, the three arrest and confront Dekkom about his intentions: to decimate the other elected officials in America's line of succession, giving him the chance to dominate the world while eliminating America's enemies at the same time. Max and Sarah escort Palma to the Kennedy Space Center, where they transmit the code but learn that the self-destruct sequence cannot be stopped.
Jake and Ute, who also stayed behind, work together to reboot the system, eliminating the virus and transferring satellite control to NASA, preventing the Geostorm at the last second. The two take shelter in a replacement satellite as the self-destruct sequence completes and use its thrusters as a beacon. A nearby shuttle piloted by crew member Hernandez picks them up. Six months later, Jake works as the head engineer for Dutch Boy once more, which is now administered by an international committee.

Cast

Gerard Butleras Jake Lawson, a satellite designer, former ICSS commander and Hannah's father

Jim Sturgessas Assistant Secretary of State Max Lawson, Jake's younger brother and Hannah's uncle

Abbie Cornishas U.S. Secret Service Agent Sarah Wilson, Max's fiancée

Ed Harris as U.S. Secretary of StateLeonard Dekkom

Andy García as U.S. PresidentAndrew Palma

Richard Schiffas VirginiaSenator Thomas Cross

Alexandra Maria Lara as Ute Fassbinder, the commander of the space station and DLR Astronaut

Robert Sheehan as Duncan Taylor, a British crew member of the ICSS and UKSAAstronaut

Eugenio Derbezas Al Hernandez, a Mexican crew member of the ICSS and AEMAstronaut

Adepero Oduyeas Eni Adisa, a Nigerian crew member of the ICSS and NASRDAAstronaut

Amr Waked as Ray Dussette, a French crew member of the ICSS and CNESAstronaut

Daniel Wu as Cheng Long, the Hong Kong-based supervisor for the Dutch Boy Program

Zazie Beetz as Dana, a cybersecurity expert and good friends with Max

Talitha Bateman as Hannah Lawson, Jake's daughter and Max's niece. She is the beginning and end narrator of the film.

Billy Slaughteras Karl Dright

Tom Choi as Chinese Representative Lee

Mare Winningham as Dr. Jennings

Jeremy Ray Taylor as Emmett

Gregory Alan Williams as General Montgaff

Drew Powell as Chris Campbell

Katheryn Winnickhad been cast as Olivia Lawson, Jake's ex-wife and the mother of Hannah, but during reshoots, her role was recast with Julia Denton.

Production

As Dean Devlinexplained climate change to his daughter Hannah, she asked why a machine could not be built to fix that. Devlin went on to imagine such a thing, and how it could be used for evil purposes. As he struggled to develop his script, he asked the help of Paul Guyot, specially to write the brother dynamics. In 2013, Skydance Productionspurchased the filming rights.After Skydance's distributing partner Paramount Pictures put the project into turnaround, Geostorm was pitched and accepted by Warner Bros.Pre-productionbegan on July 7, 2014. With an initial budget of $82 million,principal photographybegan on October 20, 2014, in New Orleans, Louisiana,and lasted through February 10, 2015.Filming began on Loyola Avenue on the first day.Some NASA scenes were filmed at a NASA Rocket Factory in New Orleans in November 2014 and January 2015.
After poor test screenings in December 2015, $15 million reshoots were conducted in Louisiana in early December 2016, under new producer Jerry Bruckheimer, writer Laeta Kalogridis and director Danny Cannon. Winnick's role was recast with Julia Denton during reshoots, while new characters were added into the script.

Marketing

On October 16, 2017, Warner Bros. released a prank video on its YouTube channel. In the video, a New York taxicabdrives into an ice storm affected city block, much to the shock of its passengers.

Release

The film was originally set for release on March 25, 2016, but in August 2014, Warner set this date for the release of Batman v Superman: Dawn of Justiceinstead. On December 11, 2014, WB shifted its live-action animated film Mowgli to 2017 and gave its previous date from March 25, 2016, then October 21, 2016, to Geostorm. In September 2015, the studio again moved back the film from October 21, 2016, to January 13, 2017. In June 2016, the studio announced the release had been moved back from January 13, 2017, to October 20, 2017. The film had an IMAX 3D release.

Home media

Geostorm was released on DVD, Blu-ray and Blu-ray 3D on January 16, 2018.

Reception

Box office

Geostormgrossed $33.7 million in the United States and Canada, and $187.7 million in other territories, for a worldwide total of $221.4 million, against a production budget of $120 million.
In North America, the film was released alongside Boo 2! A Madea Halloween, The Snowman and Only the Brave, and was expected to gross $10–12 million from 3,246 theaters in its opening weekend. After not holding Thursday night preview screenings, the film made $4.2 million on Friday. It went on to debut to $13.3 million, finishing second at the box office. The week after its release, it was reported the film would likely lose the studio around $100 million.In March 2018, Deadline Hollywoodcalculated the film lost the studio $71.6 million, when factoring together all expenses and revenues.

Critical response

On review aggregatorwebsite Rotten Tomatoes, the film holds an approval rating of 14% based on 83 reviews, and an average rating of 3.57/10. The site's critical consensus reads, "Lacking impressive visuals, well-written characters, or involving drama, Geostorm aims for epic disaster-movie spectacle but ends up simply being a disaster of a movie." On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 21 out of 100, based on 22 critics, indicating "generally unfavorable reviews".Audiences polled by CinemaScoregave the film an average grade of "B−" on an A+ to F scale, while PostTrak reported filmgoers gave it a 67% overall positive score and a 49% "definite recommend".
Peter Sobczynski of RogerEbert.comgave the film one-and-a-half out of four stars, stating that "the real disappointment about [Geostorm] is that it doesn’t even work as the camp suggested by the trailer.... [T]hey lack the lavish visual pyrotechnics nor the wit or style to make any of the destruction slightly memorable."Mark Kermode of the Kermode and Mayo's Film Review radio program stated that the film "takes stupid to a whole new level.... Honestly, and I say this, I think it's the stupidest film I have ever seen", emphasizing that "it's more stupid than Angels and Demons, and that's not a phrase I thought I'd ever say out loud".

See also

List of films featuring space stations

References

More information: Tap to expand…

External links

Wikiquote has quotations related to: Geostorm

Official website

Geostorm at Warnerbros


Geostorm at Warnerbros


Geostorm at Electric Entertainment


Geostorm at Skydance Media


Geostorm at Rotten Tomato


Geostorm on IMDb


https://ratpacentertainment.com/films

Saturday, August 24, 2019

影星

影星
譯自英文-電影明星是一位以電影中的主演或主導角色而聞名的演員。該術語用於有市場明星的演員,其名字用於宣傳電影,例如在預告片和海報中。 维基百科(英文)
A movie star(also known as a film star and cinema star) is an actor who is famous for their starring, or leading, roles in motion pictures. The term is used for actors who are marketable stars and whose names are used to promote movies, for example in trailers and posters.

"Film star" redirects here. For the 2011 Malayalam film, see The Filmstaar. For the 2005 Hindi film, see Film Star (film). For the Suede song, see Filmstar (song).

For other uses, see Movie star (disambiguation).

United States

Hollywood's early years

Poster advertising a 1916 film with Mary Pickford, one of the first movie stars
In the early days of silent movies, the names of the actors and actresses appearing in them were not publicized or credited because producers feared this would result in demands for higher salaries.However, audience curiosity soon undermined this policy. By 1909, actresses such as Florence Lawrence and Mary Pickfordwere already widely recognized, although the public remained unaware of their names. Lawrence was referred to as the “Biograph Girl” because she worked for D. W. Griffith's Biograph Studios, while Pickford was "Little Mary." In 1910, Lawrence switched to the Independent Moving Pictures Company, began appearing under her own name, and was hailed as "America's foremost moving picture star" in IMP literature.Pickford began appearing under her own name in 1911.
The Independent Moving Pictures Company promoted their "picture personalities", including Florence Lawrence and King Baggot, by giving them billing, creditsand a marquee. Promotion in advertising led to the release of stories about these personalities to newspapers and fan magazines as part of a strategy to build brand loyalty for their company's actors and films. By the 1920s, Hollywood film company promoters had developed a "massive industrial enterprise" that "...peddled a new intangible—fame." Early Hollywood studios tightly controlled who was a movie star, as only they had the ability to place stars' names above the title; according to film historian Jeanine Basinger, this was done "only for economic reasons".
Hollywood "image makers" and promotional agents planted rumors, selectively released real or fictitious biographical information to the press, and used other gimmicks to create glamorouspersonas for actors. Publicists thus "created" the "enduring images" and public perceptions of screen legends such as Judy Garland, Rock Hudson, Marilyn Monroe, and Grace Kelly. The development of this "star system" made fame "something that could be fabricated purposely, by the masters of the new 'machinery of glory'."However, regardless of how "...strenuously the star and their media handlers and press agents may ... try to 'monitor' and 'shape' it, the media and the public always play a substantial part in the image-making process." According to Madow, "fame is a 'relational' phenomenon, something that is conferred by others. A person can, within the limits of his natural talents, make himself strong or swift or learned. But he cannot, in this same sense, make himself famous, any more than he can make himself loved."
Madow goes on to point out "fame is often conferred or withheld, just as love is, for reasons and on grounds other than 'merit'." According to Sofia Johansson the "canonical texts on stardom" include articles by Boorstin (1971), Alberoni (1972) and Dyer (1979) that examined the "representations of stars and on aspects of the Hollywood star system". Johansson writes that "more recent analyses within media and cultural studies (e.g. Gamson 1994; Marshall 1997; Giles 2000; Turner, Marshall and Bonner 2000; Rojek 2001; Turner 2004) have instead dealt with the idea of a pervasive, contemporary, 'celebrity culture'." In the analysis of the celebrity culture, "fame and its constituencies are conceived of as a broader social process, connected to widespread economic, political, technological and cultural developments."
In the 1980s and 1990s, entertainment companies began using stars for a range of publicity tactics including press releases, movie junkets, and community activities. These promotional efforts are targeted and designed using market research, to increase the predictability of success of their media ventures. In some cases, publicity agents may create “provocative advertisements” or make an outrageous public statement to trigger public controversy and thereby generate "free" news coverage.Movie studios employed performers under long-term contracts. They developed a star system as a means of promoting and selling their movies. "Star vehicles" were filmed to display the particular talents and appeal of the most popular movie stars of the studio.

Asia

Two movie stars, Sophie Marceau and Zhang Ziyi, respectively from France and China, at the Cabourg Film Festival in June 2014.
Movie stars in other regions too have their own star value. For instance, in Asian film industries, many movies often run on the weight of the star's crowd pulling power more than any other intrinsic aspect of film making.

China

A number of Chinese filmactors have become some of the most popular movie stars in Eastern Asia, and several are also well known in the Western world. They include Jackie Chan, Jet Li, Chow Yun-fat, Stephen Chow, Sammo Hung, Gong Li, Ziyi Zhang, Maggie Cheung, and the late Bruce Lee.

India

Amitabh Bachchanand Sridevi, stars of Indian cinema

The Indian filmindustry, of which one is commonly known as Bollywood, has its own set of rules in this aspect. There are often superstars in this region who command premium pay commensurate with their box office appeal.
Some mainstream Indian movie stars, like the Khans of Bollywood (Aamir Khan, Shah Rukh Khan, Salman Khan, Dilip Kumar), Raj Kapoor, Nargis,Mithun Chakraborty,Amitabh Bachchan and Aishwarya Raigained international fame across Asia and Eastern Europe. For example, Bollywood films were popular in the Soviet Union, more so than Hollywood films and occasionally even domestic Soviet films. Indian actors like Raj Kapoor, Nargisand Mithun Chakroborty were household names in the Soviet Union, with films such as Awaara (1951) and Disco Dancer(1982) drawing more than 60 million viewers in the country.The Hindi filmactors Raj Kapoor and Aamir Khan also became very popular in China, with films such as Awaara, 3 Idiots (2009), and Dangal (2016), one of the top 20 highest-grossing films in China.

Southeast-Asian archipelago

The film industry of the Malay Archipelago (also known as Nusantara) consists primarily of film industries in Malaysia, Indonesia, the Philippines, and Singapore. Over the past century, these four cinemas have collaborated on a number of projects. A number of actors from this region have become some of the most sought-after movie stars in southeast Asia, commonly in Malay-speaking countries.
Actors such as P. Ramlee, Rano Karno, Rima Melati, Deddy Mizwar, Jins Shamsuddin, Eman Manan, Alex Komang, Christine Hakim, Fauziah Ahmad Daud, Nora Aunor, Joseph Estrada, Jose Padilla, Nordin Ahmad, Saadiah, Fernando Poe Jr., Roy Marten, and Yusof Haslam are considered movie stars of the 20th century, some of them having acted in all four countries.
Other, more recent movie stars include Romalis Syafril, Erra Fazira, Rosyam Nor, Shaheizy Samand Maya Karin, from Malaysia; Nicholas Saputra, Vino G. Bastian, Dian Sastrowardoyo, Tora Sudiro, and Iko Uwais, from Indonesia; Claudine Baretto, Piolo Pascual, John Lloyd Cruz, Jericho Rosales, Aga Muhlach, Kristine Hermosa, Dingdong Dantes, and Bea Alonzo, from the Philippines; and a few from Singapore, such as Aaron Azizand Adi Putra.

See also

Celebrity

Character actor

Charisma

Glamour

Leading lady

Leading man

List of actors

Matinée idol

Sex symbol

Superstar

Typecasting

Voice actor

References

More information: Tap to expand…

Albert, S. "Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry". Journal of Cultural Economics. 22 (4): 249–270. doi:10.1023/A:1007511817441.

Albert, S. "Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry". Journal of Cultural Economics. 23 (4): 325–329. doi:10.1023/A:1007584017128.

Shugan, S (2005). Moul, C (ed.). A Concise Handbook of Movie Industry Economics. Cambridge: Cambridge University Press.

"100 years of movie stars: 1910-1929", The Independent, January 25, 2010.

Mitchell A. Flagg, "Star Crazy: Keeping The Right Of Publicity Out Of Canadian Law ArchivedMarch 23, 2002, at the Wayback Machine" (1999) Ad IDEM

Basinger, Jeanine (2008). The Star Machine. Random House. p. 40. ISBN 9780307491282.

Editorial by Sofia Johansson from the Communication and Media Research Institute of the University of Westminster

How To Become A Foreign Movie Star In China: Aamir Khan's 5-Point Formula For Success, Forbes, 11 June 2017

Bollywood affair: how Indian cinema arrived in the USSR, The Calvert Journal, Calvert 22 Foundation, August 2015

Do you remember Jimmy Jimmy?, SBS, 18 March 2017

Dr. Sudha Ramachandran (June 2, 2015). "Budding romance: Bollywood in China". Asia Times.

Anil K. Joseph (November 20, 2002). "Lagaan revives memories of Raj Kapoor in China". Press Trust of India. Archived from the original on July 6, 2012. Retrieved January 30, 2009.

"Rahman's 'Lagaan' cast a spell on me". Sify. February 13, 2004. Archived from the original on March 24, 2009. Retrieved February 24, 2009.

"RussiaToday : Features: Bollywood challenges Hollywood in Russia". Archived from the original on 26 June 2008.

Ashreena, Tanya. "Promoting Bollywood Abroad Will Help to Promote India". Archived from the original on 3 December 2013.

Indian Films in Soviet Cinemas: The Culture of Movie-going After Stalin, page 75, Indiana University Press, 2005

Behind The Scenes Of Hindi Cinema: A Visual Journey Through The Heart Of Bollywood, page 138, Royal Tropical Institute, 2005

"Bollywood re-enters Russian homes via cable TV". The Hindu. Chennai, India. September 27, 2007. Archived from the original on November 9, 2012. Retrieved June 7, 2011.

Sergey Kudryavtsev. "Зарубежные фильмы в советском кинопрокате".

Chintamani, Gautam (May 20, 2017). "Dangal in China: How Aamir Khan became India's most popular export to the land of the dragon". Firstpost. Retrieved June 13, 2018.

'Dangal' Makes More History In China, Joins List Of All-Time 20 Biggest Box Office Hits, Forbes, 9 June 2017

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Sunday, August 18, 2019

餘暇Leisure

餘暇Leisure
H:飛上枝頭變烏鴉20180818W7在0730至0855於CINEMAX上演,THE LEISURE CLASS,故查Leisure。

有閒階級
leisure class
leisure class解釋

有閑階級

leisure: n. 1. 空閑,閑暇。2. 悠閑,安逸。adj. 閑暇的,有空的,有閑的(階級等)。adj. -less 無空閑的。

class: n 1 階級;社會等級。2 學級;班級,年級,級,班;組;(有組織的)講習班;〈美國〉同年畢業班;

維基百科介紹:
餘暇(英語:Leisure),又稱寬暇、空閒、閒暇、休閒、自由時間(free time),意指花費在基本維生活動,以及花費在勞動、家務、企業、商業活動及教育之外的時間。對於餘暇的態度,隨著文化與生活型態不同,在各個地區有極大的差異。
餘暇與工作之間的分界,可能不太明顯,特別是針對某些需要長期投入的工作。在餘暇時進行的活動,通常稱為休閒或消遣。將大部份時間投入工作,以致於沒有餘暇進行休閒,這種人通常被稱為工作狂。對於餘暇活動的研究,稱為休閒研究(Leisure studies)。

字義

餘暇(英語:Leisure)這個英文名詞,字根來自拉丁語:licere,原義為允許、准許,也有自由的意思。這個單字進入法語,在14世紀時傳入中古英語,成為一個單字。
在上古漢語中,暇這個字與閑同意[1],是指空閑、閒散、不做事的時間[2],衍生出從容、放鬆的意思[3]。最早暇與假在古代源自同一個字,可相互假借,後來分化為兩個字[4]。餘暇最早出自應劭的奏章,指空閒沒做事的時間[5]。

歷史

不同的社會及文化中,對餘暇的態度有很大不同。人類學家發現,在狩獵採集社會中,餘暇時間的比例比農業社會及工業社會高。在發現美洲時,到達北美洲的歐洲殖民者,常批評休休尼人及大盆地原住民部落極度懶散,成為一種偏見。此外,因為婦女被認為應該負擔家務工作,一般來說,男性享有的餘暇,多於女性。
現代餘暇觀念,起源於19世紀英國,在工業革命之後發展出來。情境主義國際(Situationist International)曾提出,在現代資本主義社會中,餘暇只是一種刻意製造的社會幻覺,因為餘暇時間很少是可以被自由支配的;透過經濟及社會壓力,餘暇被當成一種商品,強迫個人購買。

註釋

More information: Tap to expand…

參考書目

Borsay, Peter. 2006. A History of Leisure: The British Experience since 1500, Palgrave Macmillan,.

Cross, Gary S. 2004. Encyclopedia of recreation and leisure in America. The Scribner American civilization series. Farmington Hills, Michigan: Charles Scribner's Sons.

Harris, David. 2005. Key concepts in leisure studies. London: Sage.

Hunnicutt, Benjamin Kline. 2013. Free Time: The Forgotten American Dream.Philadelphia: Temple University Press.

Jenkins, John M., and J.J.J. Pigram. 2003. Encyclopedia of leisure and outdoor recreation. London: Routledge. ISBN 0-415-25226-1.

Poser, Stefan: Freizeit und Technik, European History Online, Institute of European History, 2011, retrieved: 1st of March, 2013.

Poser, Stefan: Leisure Time and Technology, European History Online, Mainz: Institute of European History, 2011, retrieved: October 25, 2011.

Rojek, Chris, Susan M. Shaw, and A.J. Veal (Eds.) (2006) A Handbook of Leisure Studies. Houndmills, UK: Palgrave Macmillan.

相關條目

休閒

工作與生活的平衡

生活型態

有閒階級論

勞動經濟學

炫耀性消費

娛樂

Leisure has often been defined as a quality of experience or as free time.Free time is timespent away from business, work, job hunting, domestic chores, and education, as well as necessary activities such as eating and sleeping. Situationist Internationalproposes that leisure does not evolve from free time, and free-time is an illusory concept that is rarely fully "free"; economic and social forces appropriate free time from the individual and sell it back to them as the commodity known as "leisure".Certainly most people's leisure activities are not a completely free choice and may be constrained by social pressures, e.g. people may be coerced into spending time gardening by the need to keep up with the standard of neighbouring gardens or go to a party because of social pressures.

This article is about free time. For other uses, see Leisure (disambiguation).

"Free time" redirects here. For other uses, see Free time (disambiguation).

"Relaxing" redirects here. For the racehorse, see Relaxing (horse). For other uses, see Relaxation.

"Timepass" redirects here. For the 2014 Marathi-language film, see Timepass (film).

Public parks were initially set aside for recreation and leisure and sportA man relaxing on a couchPeople enjoying some leisure timeLeisure time swimming at an oasis
Leisure as experienceusually emphasizes dimensions of perceived freedom and choice. It is done for "its own sake", for the quality of experience and involvement.Other classic definitions include Thorsten Veblen's (1899) of "nonproductive consumption of time." Different disciplines have definitions reflecting their common issues: for example, sociology on social forces and contexts and psychology as mental and emotional states and conditions. From a research perspective, these approaches have an advantage of being quantifiable and comparable over time and place.
Leisure studiesand sociology of leisure are the academic disciplinesconcerned with the study and analysis of leisure. Recreation differs from leisure in that it is a purposeful activity that includes the experience of leisure in activity contexts. Economists consider that leisure times are valuable to a person like wages that they could earn for the same time spend towards the activity. If it were not, people would have worked instead of taking leisure.However, the distinction between leisure and unavoidable activities is not a rigidly defined one, e.g. people sometimes do work-oriented tasks for pleasureas well as for long-term utility.A related concept is social leisure, which involves leisurely activities in social settings, such as extracurricular activities, e.g. sports, clubs. Another related concept is that of family leisure. Relationships with others is usually a major factor in both satisfaction and choice.

History of leisure

Leisure has historically been the privilege of the upper-class.Opportunities for leisure came with more money, or organization, and less working time, rising dramatically in the mid-to-late 19th century, starting in Great Britain and spreading to other rich nations in Europe. It spread as well to the United States, although that country had a reputation in Europe for providing much less leisure despite its wealth. Immigrants to the United States discovered they had to work harder than they did in Europe.Economists continue to investigate why Americans work longer hours.In a recent book, Laurent Turcot argues that leisure was not created in the 19th century but is imbricated in the occidental world since the beginning of history.

Canada

In Canada, leisure in the country is related to the decline in work hours and is shaped by moral values, and the ethnic-religious and gender communities. In a cold country with winter's long nights, and summer's extended daylight, favorite leisure activities include horse racing, team sports such as hockey, singalongs, roller skating and board games.The churches tried to steer leisure activities, by preaching against drinking and scheduling annual revivals and weekly club activities. By 1930 radio played a major role in uniting Canadians behind their local or regional hockey teams. Play-by-play sports coverage, especially of ice hockey, absorbed fans far more intensely than newspaper accounts the next day. Rural areas were especially influenced by sports coverage.

France

Leisure by the mid-19th century was no longer an individualistic activity. It was increasingly organized. In the French industrial city of Lille, with a population of 80,000 in 1858, the cabarets or taverns for the working class numbered 1300, or one for every three houses. Lille counted 63 drinking and singing clubs, 37 clubs for card players, 23 for bowling, 13 for skittles, and 18 for archery. The churches likewise have their social organizations. Each club had a long roster of officers, and a busy schedule of banquets, festivals and competitions.

United Kingdom

A caricature of upper class Victorian tourists, 1852
As literacy, wealth, ease of travel, and a broadened sense of community grew in Britain from the mid-19th century onward, there was more time and interest in leisure activities of all sorts, on the part of all classes.
Opportunities for leisure activities increased because real wages continued to grow and hours of work continued to decline. In urban Britain, the nine-hour day was increasingly the norm; 1874 factory act limited the workweek to 56.5 hours. The movement toward an eight-hour day. Furthermore, system of routine annual vacations came into play, starting with white-collar workers and moving into the working-class. Some 200 seaside resorts emerged thanks to cheap hotels and inexpensive railway fares, widespread banking holidays and the fading of many religious prohibitions against secular activities on Sundays.
By the late Victorian era, the leisure industry had emerged in all British cities, and the pattern was copied across Western Europe and North America. It provided scheduled entertainment of suitable length and convenient locales at inexpensive prices. These include sporting events, music halls, and popular theater. By 1880 football was no longer the preserve of the social elite, as it attracted large working-class audiences. Average gate was 5,000 in 1905, rising to 23,000 in 1913. That amounted to 6 million paying customers with a weekly turnover of £400,000. Sports by 1900 generated some three percent of the total gross national product in Britain. Professionalization of sports was the norm, although some new activities reached an upscale amateur audience, such as lawn tennis and golf. Women were now allowed in some sports, such as archery, tennis, badminton and gymnastics.
Leisure was primarily a male activity, with middle-class women allowed in at the margins. There were class differences with upper-class clubs, and working-class and middle-class pubs. Heavy drinking declined; there was more betting on outcomes. Participation in sports and all sorts of leisure activities increased for average English people, and their interest in spectator sports increased dramatically.
By the 1920s the cinema and radio attracted all classes, ages, and genders in very large numbers. Giant palaces were built for the huge audiences that wanted to see Hollywood films. In Liverpool 40 percent of the population attended one of the 69 cinemas once a week; 25 percent went twice. Traditionalists grumbled about the American cultural invasion, but the permanent impact was minor.
The British showed a more profound interest in sports, and in greater variety, that any rival. They gave pride of place to such moral issues as sportsmanship and fair play.Cricket became symbolic of the Imperial spirit throughout the Empire. Soccer proved highly attractive to the urban working classes, which introduced the rowdy spectator to the sports world. In some sports, there was significant controversy in the fight for amateur purity especially in rugby and rowing. New games became popular almost overnight, including golf, lawn tennis, cycling and hockey. Women were much more likely to enter these sports than the old established ones. The aristocracy and landed gentry, with their ironclad control over land rights, dominated hunting, shooting, fishing and horse racing.
Cricket had become well-established among the English upper class in the 18th century, And was a major factor in sports competition among the public schools. Army units around the Empire had time on their hands, and encouraged the locals to learn cricket so they could have some entertaining competition. Most of the Empire embraced cricket, with the exception of Canada.Cricket test matches (international) began by the 1870s; the most famous is that between Australia and Britain for "The Ashes."

Types

The range of leisure activities extends from the very informal and casual to highly organised and long-lasting activities. A significant subset of leisure activities are hobbies which are undertaken for personal satisfaction, usually on a regular basis, and often result in satisfaction through skill development or recognised achievement, sometimes in the form of a product. The list of hobbies is ever changing as society changes.

Serious leisure

Substantial and fulfilling hobbies and pursuits are described by Stebbins as serious leisure. The Serious Leisure Perspective is a way of viewing the wide range of leisure pursuits in three main categories: casual leisure, serious leisure, and project-based Leisure.
"Serious leisure is the systematic pursuit of an amateur, hobbyist, or volunteer ... that is highly substantial, interesting, and fulfilling and where ... participants find a [leisure] career...". For example, collecting stamps or maintaining a public wetland area.
People undertaking serious leisure can be categorised as amateurs, volunteers or hobbyists. Their engagement is distinguished from casual leisure by a high level of perseverance, effort, knowledge and training required and durable benefits and the sense that one can create in effect a leisure career through such activity.
The range of serious leisure activities is growing rapidly in modern timeswith developed societies having greater leisure time, longevity and prosperity. The Internet is providing increased support for amateurs and hobbyists to communicate, display and share products.

Reading

As literacy and leisure time expanded after 1900, reading became a popular pastime. New additions to adult fiction doubled during the 1920s, reaching 2800 new books a year by 1935. Libraries tripled their stocks, and saw heavy demand for new fiction. A dramatic innovation was the inexpensive paperback, pioneered by Allen Lane (1902–70) at Penguin Books in 1935. The first titles included novels by Ernest Hemingway and Agatha Christie. They were sold cheap (usually sixpence) in a wide variety of inexpensive stores such as Woolworth's. Penguin aimed at an educated middle class "middlebrow" audience. It avoided the downscale image of American paperbacks. The line signaled cultural self-improvement and political education. The more polemical Penguin Specials, typically with a leftist orientation for Labour readers, were widely distributed during World War II. However the war years caused a shortage of staff for publishers and book stores, and a severe shortage of rationed paper, worsened by the air raid on Paternoster Square in 1940 that burned 5 million books in warehouses.
Romantic fiction was especially popular, with Mills and Boon the leading publisher. Romantic encounters were embodied in a principle of sexual purity that demonstrated not only social conservatism, but also how heroines could control their personal autonomy.Adventure magazines became quite popular, especially those published by DC Thomson; the publisher sent observers around the country to talk to boys and learn what they wanted to read about. The story line in magazines and cinema that most appealed to boys was the glamorous heroism of British soldiers fighting wars that were perceived as exciting and just.

Casual leisure

"Casual leisure is immediately, intrinsically rewarding; and it is a relatively short-lived, pleasurable activity requiring little or no special training to enjoy it." For example, watching TV or going for a swim. In 2018 the diary of United States President Donald Trump was leaked to the media, showing a large proportion of each day devoted to leisure in unstructured free time – listed by his staff under the euphemism: "executive time".

Project-based leisure

"Project-based leisure is a short-term, moderately complicated, either one-shot or occasional, though infrequent, creative undertaking carried out in free time." For example, working on a single Wikipedia article or building a garden feature.

Cultural differences

GI Card Game, Watercolor by James Pollock, U. S. Army Vietnam Combat Artists Team IV (CAT IV 1967). During the Vietnam War soldiers waiting to go on patrol would sometimes spend their leisure time playing cards. Courtesy National Museum of the United States Army.
Time available for leisure varies from one society to the next, although anthropologists have found that hunter-gathererstend to have significantly more leisure time than people in more complex societies. As a result, band societies such as the Shoshone of the Great Basincame across as extraordinarily lazy to European colonialists.
Workaholics, less common than the social myths, are those who work compulsively at the expense of other activities. They prefer to work rather than spend time socializing and engaging in other leisure activities.
European and American men statistically have more leisure time than women, due to both household and parenting responsibilities and increasing participation in the paid employment. In Europe and the United States, adult men usually have between one and nine hours more leisure time than women do each week.

Family leisure

Family leisure is defined as time that parents and children spend together in free time or recreational activities, and it can be expanded to address intergenerational family leisure as time that grandparents, parents, and grandchildren spend together in free time or recreational activities.Leisure can become a central place for the development of emotional closeness and strong family bonds. Contexts such as urban/rural shape the perspectives, meanings, and experiences of family leisure. For example, leisure moments are part of work in rural areas, and the rural idyll is enacted by urban families on weekends, but both urban and rural families somehow romanticize rural contexts as ideal spaces for family making (connection to nature, slower and more intimate space, notion of a caring social fabric, tranquillity, etc.). Also, much "family leisure" requires tasks that are most often assigned to women.

Aging

Leisure is important across the lifespan and can facilitate a sense of control and self-worth.Older adults, specifically, can benefit from physical, social, emotional, cultural, and spiritual aspects of leisure. Leisure engagement and relationships are commonly central to "successful" and satisfying aging. For example, engaging in leisure with grandchildren can enhance feelings of generativity, whereby older adults can achieve well-being by leaving a legacy beyond themselves for future generations.

See also

Conspicuous consumption

Conspicuous leisure

Entertainment

Labour economics

Leisure satisfaction

Lifestyle (sociology)

Recreation

The Theory of the Leisure Class

Travel + Leisure

Waiting for the Weekend

Work-leisure dichotomy

Work-life balance

References

More information: Tap to expand…

Further reading

Cross, Gary S. Encyclopedia of recreation and leisure in America.(2004).

Harris, David. Key concepts in leisure studies. (Sage, 2005)

Hunnicutt, Benjamin Kline.Free Time: The Forgotten American Dream. (Temple University Press, 2013).

Ibrahim, Hilmi. Leisure and society: a comparative approach(1991).

Jenkins, John M., and J.J.J. Pigram.Encyclopedia of leisure and outdoor recreation. (Routledge, 2003). ISBN 0-415-25226-1.

Kostas Kalimtzis. An Inquiry into the Philosophical Concept of Scholê: Leisure As a Political End. London; New York: Bloomsbury, 2017.

Rojek, Chris, Susan M. Shaw, and A.J. Veal, eds/ A Handbook of Leisure Studies. (2006).

History of leisure

Abrams, Lynn. Workers' culture in imperial Germany: leisure and recreation in the Rhineland and Westphalia(2002).

Beck, Peter J. "Leisure and Sport in Britain." in Chris Wrigley, ed., A Companion to Early Twentieth-Century Britain (2008): 453-69.

Borsay, Peter. A History of Leisure: The British Experience since 1500(Palgrave Macmillan, 2006).

Burke, Peter. "The Invention of Leisure in Early Modern Europe". In: Past and Present 146 (1995), p. 136-150.

Cross, Gary. A social history of leisure since 1600 (1990).

De Grazia, Victoria. The culture of consent: mass organisation of leisure in fascist Italy(2002).

Hatcher, John. "Labour, Leisure and Economic Thought before the Nineteenth Century". In: Past and Present 160 (1998), p. 64-115.

Koshar, Rudy. Histories of Leisure (2002).

Levinson, David, and Karen Christensen. Encyclopedia of world sport: from ancient times to the present (Oxford UP, 1999).

Marrus, Michael R. The Emergence of Leisure. New York 1974

Poser, Stefan: Freizeit und Technik, European History Online, Institute of European History, 2011, retrieved: 1 March 2013.

Poser, Stefan: Leisure Time and Technology, European History Online, Mainz: Institute of European History, 2011, retrieved: 25 October 2011.

Stearns, Peter N. ed. Encyclopedia of European social history from 1350 to 2000(2001) 5:3-261; 18 essays by experts

Struna, Nancy L. People of Prowess Sport Leisure and Labor in Early Anglo-America(1996) excerpt

Towner, John, and Geoffrey Wall. "History and tourism." Annals of Tourism Research 18.1 (1991): 71-84. online

Towner, John. "The Grand Tour: a key phase in the history of tourism." Annals of tourism research 12#3 (1985): 297-333.

Turcot, Laurent Sports et Loisirs. Une histoire des origines à nos jours, Paris, Gallimard, 2016.

Turcot, Laurent "The origins of Leisure",International Innovation, April 2016 

Walton, John K. Leisure in Britain, 1780-1939 (1983).

Withey, Lynne. Grand Tours and Cook's Tours: A history of leisure travel, 1750 to 1915(1997).

Historiography

早餐俱樂部

早餐俱樂部
H:20180818W7在08:55至10:25於CINEMAX上演,探討青少年問題。
維基百科介紹:
《早餐俱樂部》(英語:The Breakfast Club)是1985年美國的一部經典青春喜劇電影。編劇和導演是約翰·休斯。本片是約翰·休斯與演員莫利·林沃德、安東尼·麥可·豪爾繼《十六支蠟燭(英語:Sixteen Candles)》之後,再度合作的一部中學生喜劇。

Quick facts: 導演, 監製 …

《早餐俱樂部》基本資料導演約翰·休斯監製約翰·休斯
Michelle Manning
Ned Tanen編劇約翰·休斯主演艾米利奧·艾斯特維茲
莫利·林沃德
賈德·尼爾森(英語:Judd Nelson)
安東尼·麥可·豪爾
艾莉·希迪(英語:Ally Sheedy)配樂Keith Forsey
Gary Chang攝影Thomas Del Ruth剪輯Dede Allen片長97 分鐘產地美國語言英語上映及發行上映日期

1985年2月15日

發行商環球影業預算$1,000,000票房$45,875,171

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影片講述五個高中生被罰在周六留校,在這共處的一天當中,身份性格各異的五個人從漠不關心到相互敵對,直到逐漸敞開了心扉,最終成為了交心的好友。呈現青少年面對社會眼光、家庭暴力、學業壓力以及同儕間的矛盾與掙扎[1]。
美國《娛樂周刊》(Entertainment Weekly)2006年9月刊登一篇「五十部最棒校園電影」專題,在該票選中,《早餐俱樂部》榮登冠軍。

演員與角色

艾米利奧·艾斯特維茲 — 飾 「運動員」安德魯·克拉克

莫利·林沃德 — 飾 「公主」克萊兒·絲丹迪許

賈德·尼爾森(英語:Judd Nelson) — 飾 「罪犯」約翰·班德

安東尼·麥可·豪爾 — 飾 「書呆子」布萊恩·強森

艾莉·希迪(英語:Ally Sheedy) — 飾 「神經病」愛莉森·雷諾茲

保羅·格里森(英語:Paul Gleason) — 飾 「副校長」維農先生

約翰・凱勒斯(英語:John Kapelos) — 飾 「工友」克拉克先生

獎項

More information: 獎項, 獲提名 …

獎項獲提名結果MTV電影大獎卓越銀桶獎(英語:Silver Bucket of Excellence Award)安東尼·麥可·豪爾
賈德·尼爾森
保羅·格里森
莫利·林沃德
艾莉·希迪獲獎

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外部連結

維基語錄上的相關摘錄: 早餐俱樂部

網際網路電影資料庫(IMDb)上《The Breakfast Club》的資料(英文)

AllMovie上《The Breakfast Club》的資料(英文)

The Breakfast Club review at FastRewind.com

The Breakfast Club DVD official Universal Studios website

Entertainment Weeklycommentary

↑ 《早餐俱樂部》上映三十周年紀念——回不去的80年代 演不完的青春片. 時光網. 2015-07-06[2016-08-27] (中文(簡體)‎).

The Breakfast Club is a 1985 American comedy-drama film written, produced, and directed by John Hughes. It stars Emilio Estevez, Anthony Michael Hall, Judd Nelson, Molly Ringwaldand Ally Sheedyas teenagers from different high school cliques who spend a Saturday in detention with their authoritarian assistant principal (Paul Gleason).

This article is about the 1985 film directed by John Hughes. For other uses, see The Breakfast Club (disambiguation).

Quick facts: Directed by, Produced by…

The Breakfast Club

Theatrical release poster

Directed byJohn HughesProduced by

Ned Tanen

John Hughes

Written byJohn HughesStarring

Emilio Estevez

Paul Gleason

Anthony Michael Hall

Judd Nelson

Molly Ringwald

Ally Sheedy

Music by

Keith Forsey

Gary Chang

CinematographyThomas Del RuthEdited byDede Allen

Production
company

A&M Films

Channel Productions

Distributed byUniversal Pictures

Release date

February 7, 1985(Los Angeles)

February 15, 1985(United States)

Running time

97 minutesCountryUnited StatesLanguageEnglishBudget$1 millionBox office$51.5 million

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The film premiered in Los Angeles on February 7, 1985. Universal Picturesreleased it in cinemas in the United States on February 15, 1985. It received critical acclaim and earned $51.5 million on a $1 million budget. Critics consider it to be one of Hughes's most memorable and recognizable works. The media referred to the film's five main actors as members of a group called the "Brat Pack".
In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".The film was digitally remastered and was re-screened throughout 430 theaters in celebration of its 30th anniversary in 2015.

Plot

On a Saturday, March 24, 1984, five high school students report at 7:00 am for all-day detention. Each comes from a different clique: pampered Claire Standish, geek Brian Johnson, wrestler Andrew Clark, delinquent John Bender, and outcast Allison Reynolds. They gather in the school library, where assistant principal Richard Vernon instructs them not to talk, move from the seats, or sleep until they are released at 4:00 p.m. He assigns them a thousand-word essay, in which each must describe "who you think you are". He leaves, returning only occasionally to check on them.
John, who has an antagonistic relationship with Vernon, ignores the rules and riles up the other students, teasing and harassing Brian, Andrew, and Claire. Vernon gives John eight weekends' worth of additional detention and eventually locks him in a storage closet, but he escapes and returns to the library.
The students pass the hours by talking, arguing, and, at one point, smoking marijuana. Gradually, they open up and reveal their secrets: Claire has experiences of peer pressure, John comes from an abusive household, Allison is a compulsive liar, Andrew can't think for himself, and Brian contemplated suicide over a bad grade. They discover they all have poor relationships with their parents: Claire's parents use her to get back at each other during arguments, John's parents physically and verbally abuse him, Allison's parents ignore her, Andrew's father pushes him to the limit, especially in wrestling, and Brian's parents pressure him to earn high grades. The students realize that, despite their differences, they face similar problems.
Claire gives Allison a makeover, which sparks romantic interest from Andrew. Claire decides to break her "pristine" virginal appearance by kissing John and giving him a hickey. Although they suspect their new relationships will end along with their detention, they believe their mutual experiences will change the way they look at their peers.
As the detention nears its end, the group requests that Brian complete the essay for everyone, and John returns to the storage closet to fool Vernon into thinking he has not left. Brian leaves the essay in the library for Vernon to read after they leave. As the students part ways, Allison and Andrew kiss, as do Claire and John. Allison rips Andrew's state champion patch from his jacket to keep, and Claire gives John one of her diamond earrings, which he puts on. Vernon reads the essay, in which Brian states that Vernon has already judged who they are using stereotypes; in fact, the students found that "each one of us is a brain, an athlete, a basket case, a princess, and a criminal." He signs off the letter with "Sincerely yours, the Breakfast Club."

Cast

Judd Nelson as John Bender

Molly Ringwaldas Claire Standish

Emilio Estevezas Andrew Clark

Anthony Michael Hall as Brian Johnson

Ally Sheedy as Allison Reynolds

Paul Gleasonas Assistant Principal Vernon

John Kapelosas Carl Reed

Ron Dean as Mr. Clark

Production

Casting

Molly Ringwaldand Anthony Michael Hall both starred in Hughes's 1984 film Sixteen Candles. Towards the end of filming, Hughes asked them both to be in The Breakfast Club. Hall became the first to be cast, agreeing to the role of Brian Johnson; his real life mother and sister playing the same roles in the film. Ringwald was originally approached to play the character of Allison Reynolds, but she was "really upset" because she wanted to play Claire Standish (then named "Cathy" in the first draft of the script), which saw the auditions of Robin Wright, Jodie Foster, and Laura Dern. She eventually convinced Hughes and the studio to give her the part. The role of Allison ultimately went to Ally Sheedy.
Emilio Estevezoriginally auditioned for the role of John Bender. However, when Hughes was unable to find someone to play Andrew Clark, Estevez was recast. Nicolas Cage was considered for the role of John Bender, which was the last role to be cast, though the role was narrowed down to John Cusackand Judd Nelson. Hughes originally cast Cusack, but decided to replace him with Nelson before shooting began, because Cusack did not look threatening enough for the role. At one point, Hughes was disappointed in Nelson because he stayed in character and harassed Ringwald off-camera, with the other actors having to convince Hughes not to fire him.
Rick Moranis was originally cast as the janitor but left due to creative differences and was replaced by John Kapelos.

Filming

In 1999, Hughes said that his request to direct the film met with resistance and skepticism because he lacked filmmaking experience.Hughes ultimately convinced the film's investors that due to the modest $1 million budget and its single location shoot, he could greatly minimize their risk. Hughes originally thought that The Breakfast Clubwould be his directorial debut. Hughes opted for an insular, largely one-room set and wrote about high school students, who would be played by younger actors.
Principal photographybegan on March 28, 1984, and ended in May. Filming took place at Maine North High School in Des Plaines, Illinois, which had closed in 1981. The same setting was used for interior scenes of Hughes's 1986 film Ferris Bueller's Day Off, which featured exterior shots from nearby Glenbrook North High School. The library at Maine North High School, considered too small for the film, prompted the crew to build the set in the school's gymnasium.The actors rehearsed for three weeks and then shot the film in sequence.On the Ferris Bueller's Day OffDVD commentary (featured on the 2004 DVD version), Hughes revealed that he shot the two films concurrently to save time and money, and some outtakes of both films feature elements of the film crews working on the other film. The first print was 150 minutes in length.
During a cast reunion in honor of the film's 25th anniversary, Ally Sheedy revealed that a Director's Cut existed but Hughes's widow did not disclose any details concerning its whereabouts.
In 2015 the first draft of the film's script was discovered in a Maine South High School cabinet as district employees were moving offices to a new building.

Poster

The film's poster, featuring the five characters huddled together, was photographed by Annie Leibovitztoward the end of shooting. The shot of five actors gazing at the camera influenced the way teen films were marketed from that point on. The poster refers to the five "types" of the story using slightly different terms than those used in the film, and in a different sequence, stating "They were five total strangers with nothing in common, meeting for the first time. A brain, a beauty, a jock, a rebel and a recluse".

Themes

The main theme of the film is the constant struggle of the American teenager to be understood, by adults and by themselves. It explores the pressure put on teenagers to fit into their own realms of high school social constructs, as well as the lofty expectations of their parents, teachers, and other authority figures. On the surface, the students have little in common with each other. However, as the day rolls on, they eventually bond over a common disdain for the aforementioned issues of peer pressure and parental expectations. Stereotyping is another theme. Once the obvious stereotypes are broken down, the characters "empathize with each other's struggles, dismiss some of the inaccuracies of their first impressions, and discover that they are more similar than different".
The main adult character, Mr. Vernon, is not portrayed in a positive light. He consistently talks down to the students and flaunts his authority throughout the film. Bender is the only one who stands up to Vernon.

Release

The film premiered in Los Angeles on February 7, 1985. Universal Picturesreleased the film in cinemas on February 15, 1985 in the United States.

Home media

In 2003, the film was released on DVD as part of the "High School Reunion Collection". In 2008, a "Flashback Edition" DVD was released with several special features, including an audio commentary with Anthony Michael Hall and Judd Nelson. A 25th Anniversary Edition Blu-raywas released in 2010, and the same disc was re-released with a DVD and digital copy in 2012 as part of Universal's 100th Anniversary series. On March 10, 2015, the 30th Anniversary Edition was released. This release was digitally remastered and restored from the original 35mm film negatives for better picture quality on DVD, Digital HD and Blu-ray.
On October 16, 2017, The Criterion Collectionannounced that the film was to be released in a special edition in January 2018.

Reception

Critical response

The film received high critical acclaim. Kathleen Carroll from the New York Daily News stated, "Hughes has a wonderful knack for communicating the feelings of teenagers, as well as an obvious rapport with his exceptional cast–who deserve top grades". P. J. O'Rourke called The Breakfast Club and Ferris Bueller's Day Off"Hughes's masterwork[s]". He described the former film as an example of Hughes's politics, in that the students do not organize a protest but, "like good conservatives do, as individuals and place the highest value, like this conservative does, on goofing off. Otherwise known as individual liberty".
Review aggregator website Rotten Tomatoes gives the film an 88% approval rating based on 60 reviews, with an approval rating of 7.7/10. The site's critical consensus reads: "The Breakfast Club is a warm, insightful, and very funny look into the inner lives of teenagers".Review aggregator Metacriticassigned the film a weighted average score of 62% based on 11 reviews from mainstream critics, considered to be "generally favorable reviews".

Box office

In February 1985, the film debuted at #3 at the box office (behind blockbuster filmBeverly Hills Copand Witnessstarring Harrison Ford).Grossing $45,875,171 domestically and $51,525,171 worldwide, the film is a box office success, given its $1 million budget.

Accolades

Anthony Michael Hall, Judd Nelson, Molly Ringwald, Paul Gleason and Ally Sheedy all won a Silver Bucket of Excellence Awardat the 2005 MTV Movie Awards in 2005.

More information: Award, Nominee …

Legacy

The Breakfast Club is known as the "quintessential 1980s film" and is considered as one of the best films of the decade.

Accolades


Anthony Michael HallJudd NelsonMolly RingwaldPaul Gleason and Ally Sheedy all won a Silver Bucket of Excellence Awardat the 2005 MTV Movie Awards in 2005.

More information: Award, Nominee …

AwardNomineeResultSilver Bucket of Excellence AwardAnthony Michael Hall
Judd Nelson
Paul Gleason
Molly Ringwald
Ally SheedyWon

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Legacy

The Breakfast Club is known as the "quintessential 1980s film" and is considered as one of the best films of the decade. In 2008, Empiremagazine ranked it #369 on their The 500 Greatest Movies of All Time list. It then rose 331 places to rank at #38 on their 2014 list. Similarly, The New York Times placed the film on its Best 1000 Movies Everlist and Entertainment Weekly ranked the film number 1 on its list of the 50 Best High School Movies. In the 2001 parody film Not Another Teen Movie, Gleason reprised his role as Assistant Principal Vernon in a short scene that parodies The Breakfast Club.
In 2005, the film received the Silver Bucket of Excellence Award in honor of its 20th anniversary at the MTV Movie Awards. For the event, MTV attempted to reunite the original cast. Sheedy, Ringwald, and Hall appeared together on stage, with Kapelos in the audience; Gleason gave the award to his former castmates. Estevez could not attend because of other commitments, and Nelson appeared earlier in the show but left before the on-stage reunion, prompting Hall to joke that the two were "in Africa with Dave Chappelle". Yellowcard performed Simple Minds' anthem for the film, "Don't You (Forget About Me)," at the awards. At the 82nd Academy Awards (March 7, 2010), Sheedy, Hall, Ringwald, and Nelson all appeared in a tribute to John Hughes—who had died a few months prior—along with other actors who had worked with him, including Jon Cryer from Pretty in PinkMatthew Broderick from Ferris Bueller's Day Off, and Macaulay Culkinfrom Home Alone. In 2018, the New Yorker published an article written by Ringwald in which she critiqued Hughes's films "in the Age of #MeToo".

Soundtrack

Quick facts: Released, Recorded …

The Breakfast Club (Original Motion Picture Soundtrack)Soundtrack album by 

various artists

ReleasedFebruary 19, 1985Recorded1984GenreRocknew waveLength38:02LabelA&MProducervarious artistsSingles from The Breakfast Club (Original Motion Picture Soundtrack)

"Don't You (Forget About Me)"
Released: February 20, 1985 (US), April 8, 1985 (UK)


Audio sample

Simple Minds—Don't You (Forget About Me)

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The Breakfast Club soundtrack album was released on February 19, 1985 by A&M Records. The album peaked at No. 17 on the US Billboard 200album chart. The song "Don't You (Forget About Me)" performed by Scottish rock band Simple Minds was released on February 20, 1985 in the United States and on April 8, 1985 in the United Kingdom as a single and reached No. 1 on the Billboard Hot 100.

Track listing

More information: No., Title …

Side oneNo.TitleWriter(s)PerformerLength1."Don't You (Forget About Me)"Keith Forsey, Steve SchiffSimple Minds4:202."Waiting"K. Forsey, S. SchiffElizabeth Daily4:373."Fire in the Twilight"

Jack Hues


K. Forsey


S. Schiff


Wang Chung3:514."I'm the Dude"K. Forsey, S. SchiffKeith Forsey2:105."Heart Too Hot to Hold"

Johnson


K. Forsey


Laurie Forsey


Michael Frondelli


Jesse Johnson& Stephanie Spruill4:25

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More information: No., Title …

Side twoNo.TitleWriter(s)PerformerLength1."Dream Montage"ChangGary Chang2:372."We Are Not Alone"

DeVito


Robbie Benson


Steve Goldstein


Karla DeVito3:393."The Reggae"ForseyKeith Forsey3:074."Didn't I Tell You"

K. Forsey


L. Forsey


S. Schiff


Joyce Kennedy4:475."Love Theme"ForseyKeith Forsey4:26

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Critical reception

In a June 25, 1985 review for The Village Voice, music critic Robert Christgaugave the album a "D−" and said that it has "utterly negligible" songs, and he commended Simple Minds for trying to distance themselves from their song, "Don't You (Forget About Me)", best known for being played during the film's opening and closing credits. In a retrospective review for AllMusicStephen Thomas Erlewinegave the soundtrack three out of five stars and wrote that, apart from Simple Minds' "undisputed masterpiece," the album is largely "disposable" and marred by "'80s artifacts" and "forgettable instrumentals".

References

More information: Tap to expand…

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Daniel Kreps (December 14, 2016). "'Breakfast Club,' 'Rushmore' Among Films Added to National Film Registry". Rolling Stone. Retrieved December 21,2017.


Michael O'Sullivan (December 14, 2016). "National Film Registry honors 'Breakfast Club,' 'Rushmore' and other teen angst movies". The Washington Post. Retrieved December 21,2017.


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Itzkoff, Dave (September 17, 2010). "She Won't Forget About Him: Molly Ringwald Remembers John Hughes"The New York Times. Retrieved September 4, 2011.


Steinberg, Julie (September 21, 2010). "'The Breakfast Club' Cast Reunites, But Where's Emilio? 'Working on 'Mighty Ducks 5"The Wall Street Journal. Retrieved March 28,2012.


Gora, Susannah (2010). You Couldn't Ignore Me If You Tried. Three Rivers Press. pp. 56–57.


"Premiere, December 1999, Oral history "Breakfast Club"". comcast.net.


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Gora, Susannah (2010). You Couldn't Ignore Me If You Tried. Three Rivers Press. pp. 59, 69.


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Jennifer Johnson (April 21, 2015). "Original 'Breakfast Club' screenplay found in District 207 cabinet during move"Chicago Tribune. Retrieved January 20, 2017.


Gora, Susannah (2010). You Couldn't Ignore Me If You Tried. Three Rivers Press. pp. 79-80, 325-326.


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"The Breakfast Club". Oup.com. Retrieved September 9, 2013.


"The Breakfast Club (High School Reunion Collection): Molly Ringwald, Emilio Estevez, Anthony Michael Hall, Judd Nelson, Ally Sheedy, John Kapelos, Paul Gleason, John Hughes, Ned Tanen: Movies & TV". Amazon.com. Retrieved July 30, 2014.


"The Breakfast Club (Flashback Edition): Emilio Estevez, Anthony Michael Hall, Molly Ringwald, Ally Sheedy, Judd Nelson, Paul Gleason, Mercedes Hall, John Kapelos, Ron Dean, Perry Crawford, Fran Gargano, John Hughes, Tim Gamble, Jackie Burch, Thomas del Ruth: Movies & TV". Amazon.com. Retrieved July 30, 2014.


"The Breakfast Club (25th Anniversary Edition) [Blu-ray]: Emilio Estevez, Paul Gleason, Anthony Michael Hall, Judd Nelson, Molly Ringwald, Ally Sheedy, John Hughes: Movies & TV". Amazon.com. Retrieved July 30, 2014.


"The Breakfast Club (Blu-ray + DVD + Digital Copy) : Universal's 100th Anniversary". Amazon.com. Retrieved March 26, 2013.


"Celebrating 100 years of iconic movie moments". Universal 100th. Retrieved July 30,2014.


"The Breakfast Club 30th Anniversary Edition Blu-ray". Blu-ray.com. Retrieved December 30,2014.


Nordine, Michael (October 16, 2017). "The Criterion Collection Announces January 2018 Titles, Including 'The Breakfast Club' and 'I, Daniel Blake'". IndieWire. Penske Business Media, LLC. Missing or empty |url= (help)


Carroll, Cathleen (February 15, 1985).